wine and a kdrama

because dramas and wine go well together

I like Korean dramas. Sometimes I watch them while drinking wine

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31 Days of Asian Horror: Ju-On Origins (2020)

October 18, 2021 by Jessie in dramas, reviews, drama review

If you’ve seen the original Ju-On, or even the US remake, you’ll know the basic story of Ju-On and the idea that when an incident happens in a place that is so tragic or horrible, it’ll stay with it forever haunting anyone who encounters it. While the original does focus a good bit of the story on the house itself, the Netflix original series Ju-On: Origins places it in a new light.

The series heavily focuses on the house, and the way it is presented is from a paranormal researcher’s quest to find out about all that happened there, interviewing other people’s accounts, and in turn, uncovers the horrific stories that happened. The drama series is much more darker than its original, really honing in on the idea of the grudge and what type of evil creates it. The series gives the distinction a little more weight, in that the grudge happens when the worst of the worst tragedy and events unfold and that it’s abnormal making the house so much more special.

I enjoyed the series the first time I watched it when it premiered back in July of last year, and still enjoyed it after a second watch. I always found that the original movie’s downfall was that it tried to separate the movie into each individual story and didn’t work to make it cohesive enough like it was trying to be more of an anthology, which I feel the series worked well within. Some of the stories are ongoing throughout the episodes, but because it’s broken into individual episodes, it allows for the jumps to previous incidents in time to flow better within the plot.

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Placing the series in more of a documentary style or a faux-true story viewpoint was interesting and I think worked in that sense to keep up the scares when normal jump scares were not used as much, as it focused the horrors onto terrible humans doing terrible things and almost drawn to the house’s evil to carry out their acts. It still has the same flare that the movies do, though, and nods to the original with the use of the closet being a central place and a child's horrific death the catalyst for the grudge. The episodes are fairly short (under and half an hour) so it’s a quick easy binge.

If you are a fan of the series of movies, I do think you’d get something out of the series as it does kind of tie up loose ends regarding the grudge and its specificity of it being at that house thus showcasing how terrible the house is, but it does take the levels of the stories to a whole new extreme that is far enough removed from the original that I could see there being a divide in its reception. They are much more graphic and violent, the focus being on the worst of humanity which can be sometimes hard to stomach. I didn’t find that the series had many scares of a normal horror film, but more of a general sense of uneasiness the entire time that escalates as the series progresses and the stories get much more tragic.

Ju-On: Origins can be found streaming on Netflix.

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October 18, 2021 /Jessie
ju-on, the grudge, horror, #31DaysOfAsianHorror, jdrama, japan, wine and a murder, 31DaysOfAsianHorror
dramas, reviews, drama review
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Review: Howling Village (2019)

August 20, 2021 by Jessie in movies, reviews, movie review

With the amount of times I kept seeing Howling Village pop up in various horror news outlets, and its slots in various film festivals, I was really interested in the movie and made a point to watch it when it was released in the US on VOD as opposed to waiting till it was on Blu-Ray or later on in the year when I’m not spending most of my attention on Korean horror. Written and directed by Takashi Shimzu (Ju-On), Howling Village follows psychiatrist Kanae who’s brother goes missing after events that happened while visiting the Haunted Village with his girlfriend, and her journey to uncover the mysteries of the village and it’s ties to her family. In theory, it sounds like everything I would want in a movie. Mysteries, ghosts, family secrets, and creepiness. The movie, however, didn’t quite live up to it.

While the film started off relatively quickly, after about the first third it felt draggy and bogged down in the pursuit of the truth behind the Howling Village and their family’s relation to it. There was a lot of time spent on this, and very little scares were part of this. If you are not a lover of slow burns, this movie will not be your cup of tea. I was intrigued by the mysteries in the beginning, but it failed to live up to what I assumed it would be. The reveals were a bit underwhelming and confusing. Even at the end during the main reveal, much of the focus was trying to figure out what was going on and why the pieces we got along the way come to this. This resulted in a lot of the creepy factors being overshadowed by trying to keep up with what was going on.

The haunted village and tunnel in the movie are based on true legends, as Takashi stated in this Disappointment Media interview:

“The producer approached [me] about some strange things that had happened in this Inunaki Tunnel and what may have happened in the tunnel, a lot of it has been taken up on the internet, and everybody has chimed in with their own version and their own ideas. And basically, [I] took all of that and started to put it together into a script.”

I’m not familiar with the legend, and while not much information is available, I did find several articles about some of the lore behind it. The tunnel is located in Miyawaka town in the Fukuoka Prefecture and is mostly famous for the amount of murders that have occurred in or near. The tunnel is currently sealed because of this. The YouTube channel Kowabana Japan has a couple of videos with a brief history of the area, including the main murder that happened that has cursed the area. I suggest checking out the video (found here). While it doesn’t really tie to the movie, it is interesting to know a little more about the area and why it is a known place for people in that area.

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Although Howling Village did not live up to the hype for me, I did enjoy some parts. I thought Ayaka Miyoshi was great in her main role, and her scenes with the boy she was taking care of were some of my favorite parts. I would have loved a bit more with them, and more with the spirits he could see. I would recommend this to anyone who’s into jhorror or a fan of Takashi’s work, but wouldn’t drop things to make room for it. Howling Village is currently on VOD in a number of places (I watched it on YouTube) and will be released on Blu-Ray September 14th.

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August 20, 2021 /Jessie
犬鳴村, howling village, japanese movie, horror, takashi shimzu, grudge, ju-on, wine and a murder
movies, reviews, movie review
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